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Innie Tran, Client Director, Mutant
Innie is a Belgian Advertising School graduate. She started her career at LDV United (WPP group) and worked on award winning campaigns like &#8216;The race is ours&#8217; from Het Nieuwsblad and Special Olympics’ campaigns &#8216;Dare to play&#8217; and &#8216;Dare to sponsor&#8217;. In 2020 she mutated and worked on award winning campaigns ‘Now’s the time to stare’ for Paralympic Team Belgium ‘Missed you stranger’ and ‘Last Metal Standing’ for StuBru to name a few.
Hannah Patronoudis, Managing Partner, nocomputer
As Managing Partner, Hannah rose through the company starting as an intern back in 2018. Learning everything from chatbots to AI, in all its forms, she helped develop prototypes at Craftworkz. Hannah was cut out to lead Craftworkz&#8217; new focus: helping creative agencies as a technical partner to validate their most innovative ideas. As from 2022 she has found a partner in crime and you can find her team often working together with nocomputer since they share the same passion, drive and focus to elevate creative projects with creative tech

Innie Tran & Hannah Patronoudis

Mutant and nocomputer present &#8216;Think in Colour&#8217;, a campaign created for current affairs magazine Knack, a publication open to variety of thought and nuances of opinion.&#8217;Think in Colour’ examines how colourful a person&#8217;s thinking is.  It was developed in collaboration with psychologists at the renowned University of Brussels (VUB) which specialises in human sciences, and measures different variables such as empathy, open-mindedness, flexibility and intellectual curiosity.Find out how Think in Colour opened the debate on how we see the world and how we talk to each other.
Thanks to the support of the European funds FEDER, this conference is exceptionally proposed to you free of charge by making the request at the reception of the festival, located at the entrance of the Marquee

How much colour does your grey matter have?

Theater - TRAKK Room

Mutant & nocomputer

Alber-K graduated from the world- renowned Georgia Institute of Technology (USA) is currently researching new Music Technologies, developing new hardware devices and electronic musical instruments. Alber-K seeks to combine his knowledge of music technology with his passion for electronic music to create a completely unique sound and unparalleled live performance experience (e.g. incorporating 8D Technology). An engineer by training, Alber-K designs and produces some of his own instruments allowing him to bring never-before-heard fresh and funky tracks to the global house music scene.

Alber-K

Alber-K will bring you into his universe by explaining how Technology has an impact on his artistic direction and production approach. He will illustrate his conference with concrete projects he worked on during his stay at the Georgia Institute of Technology (USA), some of his current projects as well as how his music production approach evolved during the years thanks to Technology.
Thanks to the support of the European funds FEDER, this conference is exceptionally proposed to you free of charge by making the request at the reception of the festival, located at the entrance of the Marquee

When Music meets Tech

Clara Daguin was born in France and grew up in the Silicon Valley.
Her artistic practice is an artisanal approach based on the association of manual savoir-faire and technology, mostly through interactive “experiential” pieces crafted using embroidery and electronics. It speaks to the symbiosis of natural and artificial we experience daily, which is simultaneously fascinating and terrifying.
​Using fashion as a medium allows the body to play a central role in understanding our evolving relationship to technology. The use of light as material gives substance to invisible energies, pulsations and waves inside of this body and around it. Light evokes the idea of the infinite, what is intangible and esoteric.
​The message is neither utopian nor dystopian, simply an exploration of the current state of things. Function follows form as much as form follows function; the circuits are designed in relationship to the graphic nature of the embroidery, and the embroidery is designed based on the technical needs of the circuits. Here the “practically useful” is largely irrelevant. The experience is phenomenological and intention is placed on surprise, emotion, and contemplation.
​Clara Daguin is based in Paris, France.​

Clara Daguin 

Reveal the invisible examines the work of fashion designer/artist Clara Daguin through several projects, collections and collaborations. The focus is set on the process behind the creation of her illuminated silhouettes and the evolution of her work over the past few years.

Alber-K

AboutAlber-K

ConferencesWhen Music meets Tech

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Clara Daguin

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Mutant & nocomputer

Alber-K

AboutAlber-K

ConferencesWhen Music meets Tech

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Clara Daguin

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Mutant & nocomputer

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